Resolve comes at two price points: the free software, which is actually incredibly powerful, then “studio,” which costs $299 and has a few upgrades that generally make the price well worth it. While the setup was originally a bit complicated for the average user, with the release of Resolve 14 in 2017, Blackmagic started to take shared-user workflows more seriously, with a host of new tools that allow for very sophisticated collaborations, and with a toolset to make even the initial setup easy for post professionals who might not necessarily be computer engineers, but who can walk through a bit of IP network setup. This would allow a colorist to be “in session” in one room with a client, while a color assist could prep, do renders, or even do color cleanup in another room on the same project, if they were pulling from the same shared media. Because they were targeting use at highly-networked color grading facilities, it was always built around a database model with multiple simultaneous or nearly simultaneous users in mind. Before DaVinci Resolve expanded into audio (Fairlight), VFX (Fusion), or even editing, the software was intended purely for high end color correction.
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